A bald man' or kaloghlan

AutorDurdana Tofig Aliyeva
CargoBaku Slavic University
Páginas875-888
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 9 - Nº 03 - Ano 2020 Special Edition
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
875
“A BALD MAN” OR KALOGHLAN
Durdana Tofig Aliyeva1
Abstract: Tale onomastic has a longer life
than other specimens of folklore.
Sometimes we come across a name in a
tale, in one language in another folklore
specimen, or in the folklore specimens
belonging to different peoples. Naturally
this is the case, which we observe in the
tales of relative peoples. In the formulation
of the names of characters, the character of
narrator of the tale, the ethnic peculiarities
of the people to whom the tale belongs, is
of great importance, and all this, though
does not influence on the general objective
law of formulation of the tale, it may have
its impact on the contents of it. One of the
specific features of folklore tales of the
Turkic peoples lies in the fact that they are
not separately-taken work of art, but they
are the constituent parts, composing one
complex of folk-lore. Just within the
borders of this complex the names are in
action and easily transform from one piece
of art, to another one. Consequently, we
happen to see the unique lexical panorama
of folk-lore specimens in the Turkic
1 Baku Slavic University. durdana_a@mail.ru
languages. We witness this case in the

complex. In the article, the position of
anthroponymies entering the Turkic tales
     
   
taking place within the text are explained.
Keywords: Turkic Languages of Oghuz
group, folklore, a bald man, Kaloghlan, a
tale, proverbs
Introduction
Poetonyms within a folk-lore
text, its contents and form, instances of
their usage, do not bear an occasional
character, because a name here, stands in
one line with the language and style of the
work. Here, naming of the character
depends on the plot-contents line, the idea
of the theme and objective laws of genre
peculiarities of the work. It also reflects
the understanding of the people to whom
the work of art belongs, in the way how
those people feel with the events and facts

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