Critical study of iranian movie Nasseredin Shah, actor of cinema on the basis of theories of the postmodern novels
| Autor | Shirzad Tayefi - Mohammad Hossein Ramezani Fookulaee |
| Cargo | Associate Professor of Allameh Tabataba'i University, Department of Persian Language and Literature. Gmail:www.merajedanesh@gmail.com corresponding Author. - MA in Comparative Literature of Allameh Tabataba'i University, Department of Persian Language and Literature. Gmail: khoeiny3002@gmail.com. |
| Páginas | 469-507 |
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 03 - Ano 2019
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
469
CRITICAL STUDY OF IRANIAN MOVIE »NASSEREDIN SHAH,
ACTOR OF CINEMA «ON THE BASIS OF THEORIES OF THE
POSTMODERN NOVELS
Shirzad Tayefi
1
M Hossein Ramezani Fookulaee
2
Abstract: Contrary to the French school
of comparative literature, according to
which it is merely possible to compare
the two written texts in terms of
conditions, in the American approach,
the adaptation of literary texts to various
arts, including cinema, is possible, which
leads to a better understanding of
literature. Since novels and films have
many similarities, they are in many
respects similar to each other, and two
genres are considered analogousThese
commons provide a good ground for
discussing a movie from the perspective
of a new literary theory and critique, and
allow us to use the concepts and
terminology we normally know as a tool
for discussing the novel to critically
explore the structure and art and the
themes of the film. On the other hand, in
recent years, the term "postmodernism"
1
ssociate Professor of Allameh Tabataba'i University, Department of Persian Language and
Literature. Gmail:www.merajedanesh@gmail.comcorresponding Author
2
MA in Comparative Literature of Allameh Tabataba’i University, Department of Persian
Language and Literature. Gmail:khoeiny3002@gmail.com
has been widely criticized about the
novel in our country, and many new
fiction writers also have a fascination
with postmodern style fiction. Therefore,
in this research, first, reviewing the
views of some of the most important
postmodern literature scholars, nineteen
techniques used in postmodern novels
are explored, and their qualitative
method of applying them to Naser al-
Dinshah film actor have been
investigated.The results of the study
show the relationship between literature
and cinema (as a visual text) and the
ability to compare the two written and
visual texts; as many techniques used in
the writing of postmodern novels are also
with a high frequency have been used in
the studied film.
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 03 - Ano 2019
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
470
Keywords: Postmodern School,
Postmodern Novel, Iranian Cinema,
Postmodern Cinema, Written Text,
Visual Text.
1. Introduction
Because of the great commons
between novel and film, both of them are
similar from the different viewpoints,
and two genres are considered
analogous. These commons provide a
good platform for discussing a movie
from the perspective of new literary
theories, allowing us to use the concepts
and terminology we normally know as a
means of discussing the novel to
critically explore the structure and arts
and themes of the film. On the other
hand, addressing new literary topics,
such as postmodernism, and exploring
the use of the foundations and techniques
of postmodern novels in cinema, which
is essentially a visual text, has led to a
show the relationship between literature
and cinema and to understand the fact
that these components are used in the
studied film with what frequency and
quality.
Meanwhile, explaining many
postmodern literary techniques and
reviewing them in Naser al-Dinshah's
film actor, can lead to a better
understanding of the subject, open the
way for future study in the field of
literature and cinema.
Since follow-up has been done,
there is still a less comparative study
between written and visual texts and the
adaptation of the basics of novel and film
from the postmodern school perspective,
making this study is necessary. In
addition, this study, with the introduction
of some of the most important
approaches to postmodern novels, has
used this theoretical foundation in a
practical critique of the discussed film, in
order to encourage further writing and
study from the perspective of a new
literary theory and critique of Iranian
cinema. To do this study, firstly, the
information and theoretical foundations,
including the techniques of postmodern
novels, have been collected and scanned
through a study of variety of sources.
Among the Iranian post- modernist
films, Naser al-Dinshah's film actor was
selected and reviewed. The main
techniques used in them are extraction,
categorization and analysis.
2. Research Questions
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 03 - Ano 2019
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
471
1-2. what is the meaning of postmodern
works in literature and cinema?
2-2. what forms and methods of
postmodern novels foundations have
been studied in the film?
3-2. How structured and arts used in
postmodern novels, to what extent is the
structure and techniques used in the
investigated film to be comparable?
4-2. what elements of the foundations of
postmodern novels are observed in the
studied film?
5-2. what are the differences in applying
postmodern novels to the studied film?
6-2. how successful were the studied
films in the application of postmodern
novels techniques?
3. Research Hypotheses
1-3. postmodern works in literature and
cinema have common foundations and
techniques.
2-3. the foundations of postmodern
novels in very close and similar forms
and practices have been featured in
Nasser al-Din Shah's film actor.
3-3. the used structure and arts in
postmodern novels, to a great extent, are
compatible with the structure and
techniques used in the studied film.
4-3. many of the foundations of
postmodern novels are seen in the
studied film.
5-3. thereis no significant differences in
the application of postmodern novels
techniques in the studied film.
6-3. the studied film has been very
successful in applying postmodern
novels techniques.
4. The history of the Research
Based on studies and follow-
ups, there has been little studies on the
subject of study directly, among which
can mention to the book of Hossein
Payandeh (published in 2007), entitled
postmodern novel and film: A look at the
structure and arts of mixing films and
article by EhsanAghababaei and Ali
GhanbariBarzian (published in 2016),
entitled "postmodern discourse in
Iranian cinema (case study the movie of
the empty seat)".
Academic studies that are
indirectly related to the study subject
include:
Master's thesis,
SamanehPourghlami (performed year
2013), with a title of Study of
postmodern components in Reza
Amirkhani and ShahrnoshParsipour's
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