Expressive syntactic structures in m.e. Saltykovshchedrin's artistic discourse
| Autor | Olga A. Chupryakova - Svetlana S. Safonova - Mukhit T. Abikenov |
| Cargo | Kazan Federal University. - Kazan Federal University. - Semey State University named after Shakarim. e-mail: prepodss@mail.ru. Tel.: 89033148062 |
| Páginas | 103-112 |
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 07 - Ano 2019 – Special Edition
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
103
EXPRESSIVE SYNTACTIC STRUCTURES IN M.E. SALTYKOV-
SHCHEDRIN'S ARTISTIC DISCOURSE
Olga A. Chupryakova1
Svetlana S. Safonova2
Mukhit T. Abikenov3
Abstract: The article is dedicated to the
research of expressive syntactic
structures in M.E. Saltykov-Shchedrin’s
artistic discourse that received major or
minor types and phraseological statuses.
By strikingly combining and
synthesizing real and fictional things,
writer reaches the heights of satirical
imagery. It should be noted that, judging
by the satirical nature of his works, the
intensity semantics (exaggeration or
hyperbole) carries a strong importance,
while the wide specter of hypotaxis-
based sentences is used as a means of its
realization. Syntactic units of idiomatic
structure that express intensity-
consequential, concession-amplification,
temporal-concession and other relations
are differentiated by their semantic
diversity, merging of informative and
connotative meanings, combination of
1 Kazan Federal University.
2 Kazan Federal University.
3 Semey State University named after Shakarim. e-mail:
prepodss@mail.ru. Tel.:
89033148062
real and surreal contents, combination of
stable and variable components. The
expressions created by the
tak/takoj/nastol'ko/do togo/do takoj
stepeni…chto;
slishkom/chereschur…chtoby; chto (by)
ni/kak (by) ni…a; uzh na chto…a; ne
uspeet…a (kak); eshche ne..., a uzh
scheme are related to the phrase models
mentioned above. They are formed on
the base of constant components that
make up sentence’s carcass, which
provides free lexical filling. Meanwhile,
the sphere of relational meanings is
complicated by the modus-expressive
meanings. Semantics of contrast,
unusualness, suddenness (subjective
hyperbolization that does not match the
objective state of affairs, combining of
incompatible, shift of moral orientations,
combination of real and potential plans
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