The artistic embodiment of the image of england in the «letters to another room» by Ravil Bukharayev

AutorAlina R. Gaynutdinova - Alfiya F. Galimullina - Foat G. Galimullin - Abay K. Kairzhanov
CargoKazan Federal University - Kazan Federal University. alfiya_gali1000@mail.ru. 79053100964. - Kazan Federal University - Gumilyov Eurasian National University
Páginas199-210
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito
Centro de Ciências Jurídicas - Universidade Federal da Paraíba
V. 8 - Nº 07 - Ano 2019 – Special Edition
ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index
199
THE ARTISTIC EMBODIMENT OF THE IMAGE OF ENGLAND
IN THE «LETTERS TO ANOTHER ROOM» BY RAVIL
BUKHARAYEV
Alina R. Gaynutdinova1
Alfiya F. Galimullina2
Foat G. Galimullin3
Abay K. Kairzhanov4
Abstract: The problem of the writer’s
self-identification, especially of such a
multifaceted one as Ravil Bukharayev, is
closely connected with one of the topical
problems of modern literary criticism
and cultural studies – the problem of the
Other. Ravil Raisovich Bukharayev
(1951 - 2012) – a Tatar poet, writer,
philosopher who wrote in Russian, lived
for more than 20 years in England. In his
work he demonstrates a new cultural
situation, the ability to seamlessly
apprehend the universal art culture,
literature and worldview ideas from
ancient times to the present day at the
same time preserving his national and
religious identity. The poetry by R. R.
Bukharayev has repeatedly become the
object of scientific research while the
1 Kazan Federal University
2 Kazan Federal University.
alfiya_gali1000@mail.ru. 79053100964.
3 Kazan Federal University
4 Gumilyov Eurasian National University
philosophical prose by R. R. Bukharayev
is still waiting for his researcher. This
article represents the experience of a
scientific study of the artistic world of
RR Bukharayev’s prose based on the
example of his novel Letters to Another
Room [1]. The results of our study
suggest the following conclusions: The
novel by R. R. Bukharayev “Letters to
Another Room” presents the perception
of England through the Other’s vision of
it. R. R. Bukharayev representing
himself as the Other in relation to the
English tradition upends the
preconceived idea of the English
“gentleman” as the only bearer of the
English literary and cultural tradition.
Irony and self-irony help the narrator to
isolate himself from Englishness of the

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